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WHO SOLD MY HOMELAND! WHO PAID THE PRICE!

Humra Quraishi addresses the trauma and abuse that children face in a hate-filled and warring world as Children’s Day on...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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I MAKE REGIONAL CINEMA THAT RESONATES WITH GLOBAL AUDIENCES: DISHA BHARDWAJ

Vinta Nanda gets in conversation with Disha Bhardwaj, a young filmmaker, whose first film Chupi Roh is selected to screen at t...

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TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

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BEING THE NEW-AGE DADDY COOL!

Monojit Lahiri traces the evolution of this creature from the one-dimensional pitashree to the hands-on Daddy cool!

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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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IMPUNITY FOR ABUSERS, PUNISHMENT FOR VICTIMS

Comments of the BJP MP from South Delhi made in the Lok Sabha during the special session in the new parliament building, reveal the utter decay...

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COMMITTED TO PROTECTING MY IDENTITY SAYS ANIL KAPOOR

Interesting! The Daily Eye #Newsdesk reports on the lawsuit filed by actor Anil Kapoor, in the Delhi High Court, for protectio...

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